AHHHHHHHHHHHHHH this is gonna be rambly, I’m sorry.
They explore humanity in all of its elements, in its upper echelons of beauty and its gritty depths of ugliness. Many of them take place in heightened reality, which is to say everything is emphasized (like emotions, etc.) but they still reflect our reality. They explore the extremes and are still relatable to the mundane. They explore the value and beauty of life, and always affirm living while not muting the utter pain and despair living can bring. Like Raskonikov’s whole journey in Crime and Punishment is about trying to find a life worth snuffing out, and realizing there wasn’t one; Kirillov in Demons tries to find a reason to die and even though he does eventually, that scene is literally the best written scene I’ve ever read for thematic and character resonance. Alyosha in The Brothers Karamazov, Myshkin in The Idiot, Grushenka in the Brothers Karamazov, Ivan, Dimitri–all of them are characters who wrestle to reconcile the beautiful and the hope in ordinary moments with the extreme depravity of the world around them. Sometimes they succeed. Sometimes they do not, but each character is allowed their journey.
Even when the novels have messy endings (The Idiot, Demons has a messy beginning), their themes and characters transcend them almost. Myshkin may not have endured his journey, but his ideals are simply so beautiful that it gives me hope despite the tragedy of the ending, and where he was flawed is also apparent. He also wrote in The Brothers Karamozov “The Grand Inquisitor” which is a
famous segment you can probably find online that includes a true story
of a rich man sending his wild dogs to hunt down children (like, Game of
Thrones is clearly drawing from that story with Ramsay). I tell that to
give an example for how Dostoyevsky wrestles with the utter evil done
in the world and still affirms beauty in a way that doesn’t seem empty
thanks to the characters’ journeys.
Choices really matter in Dostoyevsky’s novels–there’s a reason he’s known as an existentialist. And yet at the same time, he’s not a nihilist at all. The phrase “beauty will save the world” comes from one of his novels, and it’s a phrase I think encapsulates his stories thematically, and what I personally believe as well. And it comes from a novel that ends tragically and yet still somehow affirms that message.