Today I wanna try to analyze this ending, which I think is very deep and interesting for Mikasa as a character and which we can also linked to the new OAV.
Here the english lyrics:
“
Your dream is where your heart is It’s something more fragile than life itself No matter how many times you throw it away, you still find it So rest in peace now
Your wish is violated by your pulsing urge and as much as you forget about it, you recall it again
In this beautiful and cruel world We only ask “why” we’re still alive… Ah, what are we going to protect with our strength and weakness? If reason no longer exists
That sky looks sad Ashes and mirages rise up You freeze in warm words So rest in secret now
Your grief is hidden by fantasies sticking to you and as much as it tears apart, it joins back together again
In this beautiful and cruel world We only beg for death to “wait”… Ah, we’re flightless weathercocks We don’t know if the truth is more beautiful than lies or not
If we are songs Then we’ll raise the flags to that wind and just send hope to someone without hesitation, if only…
In this beautiful and cruel world We only ask “why” we’re still alive… Ah, what are we going to protect with our strength and weakness? If reason no longer exists… “
This ending starts with stars, comets and planets until a small knife felt to the ground, where Mikasa is running through the woods. Suddendly dozens of bloodied knives lay in the ground and from now on Mikasa’s jorney starts:
The first scan is introducing us the question “where Mikasa’s heart is?”, following the fact that her heart is more fragile than her life. What does it mean? Mikasa is stronger than everyone else of the cadet corps, but she’s even more fragile than others. That’s why her life is too hard to surrender, on the other hand her heart broke long time ago. This can also be linked to her typical survival philosophy, which can’t allow Mikasa to die easily.
The ending presents a dream-like dimension where Mikasa is running through a forest, which is usually connected to tales and dreams. This forest is totally black, which introduces us to a dark atmosphere. As a matter of fact Mikasa is one of the darker characters.
The forest is where Mikasa lost her innocence, that’s why wherever she goes she can’t abandon it. Moreover the forest has a special meaning for Mikasa as a child, because it represents her outside world (like Eren’s ocean).
The main desire of Mikasa is to be by Eren’s side forever, no matter what, but this desire isn’t pure nor sane but a trauma she has to overcome. This trauma developes that “pulsing rage” which “defiles the wishes she harbors”. What could be the solution? The ending points out that (under her pov) she doesn’t carry within her body the solution, because Eren himself is the goal to achieve.
In this moment of the ending Mikasa is wrapped into a vortex of bloody knives and because of that she trasforms herself in the cadet corps we know well:
“In this beautiful and cruel world we keep on asking ourselves why it was we who survived, what we will protect with our strenght and our weakness…”: a beautiful but cruel world is Mikasa’s theme, and in the scan Mikasa sees two birds (which are she and Eren) fly beyond the walls towards light and outside world (birds are SC’s symbol). At the same time she asks to herself what (or who) she has to protect with her strenght and weakness, even if the ending presents this question as proper of a multitude of people. Mikasa sees Eren now, who is the one she thinks she has to carry about and this is confirmed by both anime and manga:
Moreover, there are three gates in that image, which maybe refer to the three main characters (E.M.A.). Eren is passing through the bigger one, because his titan power, while Mikasa and Armin are by his side passing through the smaller ones.
This scan refer to the strange truths they all discover in the series, which are out of any logic.
So… This ending refers to her narrative flaws and to Mikasa’s existential dramas. She still lives into that forest and Eren isn’t a pure dream but the one where she finds comfort. While Eren is fighting for freedom Mikasa is fighting for Eren in a selfish way, to avoid his death even at the cost of sacrificing Eren’s dream. As a matter of fact at the beginning of this ending Mikasa is running towards her dream (when her dream is where she finds comfort) until she finds Eren.
Mikasa always carries violence with her.
Hi!
I hope you don’t mind if I add some thoughts on this ending.
First of all this ending tells Mikasa’s story up until Trost. Moreover we can assume that it is Mikasa herself the one singing.
Let’s note that the animation presents a ring structure.
Both Yukine and Yato are trying to focus on building new lives–for Yukine, at high school, and for Yato, at college–but when Yato’s father shows up as his professor and a mysterious girl starts tailing Yukine at school, they find that it might not be so easy to escape their demons after all.
So one of my favorite characters introduced in the current arc of HxH–perhaps one of my favorite side characters in the entire series–is Queen Oito Hui Guo Rou. She’s a really interesting character to me, notably in how she foils several characters with long-running arcs, and through that foiling she carries great potential for thematic resonance not just for this arc, but for the arcs of Chrollo, Kurapika, and even Ging and the Zoldycks. I’m very excited to see what Togashi will do with her.
Oito, Kurapika, Chrollo, and Neon: Changing Fate
To start with, I want to mention that the Succession Contest Arc has a lot of blatant similarities to the Yorknew Arc in terms of set up. Oito is, after all, not the first woman Kurapika has been hired to protect in an arc that also focuses on Chrollo, the Phantom Troupe, and their inevitable interactions with Kurapika. Back in Yorknew, we meet Neon Nostrade, a girl who, just like Oito, is treated like a pawn by all the men in her life and who Kurapika and Chrollo don’t treat any differently: both of them, despite Kurapika being a protagonist and Chrollo an antagonist, treat her as a means to an end.
For Chrollo, that end is to steal her power, for Kurapika, it’s to collect the eyes. Clearly Kurapika is more sympathetic and did not intend to harm Neon, but the reality is he was still aiming to use her (and no, Neon was not a saint; collecting body parts is creepy). But, Oito is similarly treated like a pawn in a game by a King Man Child who marries her as his eighth wife and wants his offspring to kill each other. (It’s worth noting that there’s a faint parallel there between Nasubi and Neon’s father as well, in that both of them view their children as valuable by what they can do.)
Neither Chrollo nor Kurapika are willing to look deeper at Neon, to notice what she potentially had to teach them as @aspoonofsugar writes in her brilliant meta on Neon here. As a result, they both suffered for it and went down paths that led to their current predicaments, and to Neon’s own death, because she was treated as a pawn. Neon’s death is probably on both Chrollo and Kurapika because of the stealing of her powers and the thereafter ruination of her family finances to hire protection, regardless of whether it was Hisoka or a mafia enemy who killed her.
Oito herself describes her past as, well, exactly like Neon:
But Neon was not a pawn, and neither is Oito, as she’s making it clear. If the lesson Neon could offer Kurapika and Chrollo (both fatalists) is that life is not written, that fate can be changed, that choices do matter and that those choices affect other people as well (and that people are more than just their worst qualities) then it stands to reason that perhaps that is the lesson Oito offers as well. Of course, we haven’t seen Oito and Chrollo interact, but honestly I expect them to at some point.
Oito herself changed–she is essentially Neon changed–obviously, as she expresses. She also expresses remorse for her past actions, realizing that they’ve led to her daughter being in extreme danger–yet at the same time, she has her precious daughter. She has the capability to offer the same lesson Chrollo and Kurapika missed from Neon: people can change. The future isn’t written.
And Oito is changing her future specifically to protect the one she loves. It mirrors Kurapika’s decision back in the Yorknew Arc, because he chose to save Killua and Gon above revenge and as a result the future Neon predicted changed.
I do think it’s entirely possible that both Chrollo and Kurapika this arc will have to choose whether to protect someone they care about, or to continue their selfish path. Chrollo is the one most directly at risk, as I do suspect he’ll have to choose between his Spiders and revenge on Hisoka/Tserriednich/s treasure, but I can see Kurapika having to choose between saving Oito and Woble like he promised and Tserriednich’s treasure/the eyes as well. (Which is what @aspoonofsugar theorized the other day in her own Oito meta!)
Oito and Tserriednich: Human Value
Neon’s body collecting also has a parallel in this arc, and this character also foils Oito: Tserriednich Hui Guo Rou. Interestingly, look at the description of the women he says he hates (and presumably kills after sexually abusing):
He dehumanizes them and says their humanity comes down to what they know. Tserriednich doesn’t even seem to think change is part of the equation; all that matters is if a person can satisfy him and if they can’t, they are worthless. He’s an even darker reflection of his father.
But back to Oito. Unlike both Tserriednich and Neon, Oito is not prodigiously talented in nen.
In this sense she is also unlike Kurapika, and unlike Chrollo–both of whom are noted to be talents for their ages. Again, this returns to the idea that the lesson Oito has to offer is not in nen or her abilities, but in her ideals and her ability to change, which is necessary to keep living (something Neon originally pointed out).
If Oito is symbolic of life, as a mother, Tserriednich is symbolic of death–he’s the fourth prince and four is associated with death in Japanese culture, collecting the dead’s eyes, murdering women, the water turning into some kind of putrid mixture during the nen type test, etc. I’d also expect this foiling to continue.
Which leads me to my next foiling/theme I want to discuss, about how Oito’s influence could spread beyond just this arc and beyond just Chrollo and Kurapika’s long running arcs.
Oito: A Good Mom.
Besides Mito Freecss (who while lovely isn’t fleshed out), she’s like, the only good parent we see in HxH. She’s willing to do whatever it takes for her child, which sets her up as a sharp contrast to Ging, who abandoned his son (and will presumably have a role on the Dark Continent), as well as Kikyo and Silva Zoldyck, and of course Nasubi.
Nasubi, Light Nostrade, Kikyo and Silva, and Ging as well, seem to value their children and their relationship with them solely by what they can do. Can they gather the wits and strength to kill their siblings? Are they talented enough to propel the Zoldyck name forward? Are they good enough at being a hunter to find their father?
Woble can do nothing at all. She’s a prince, yes, but a baby. She’s helpless in a Succession War. She’s helpless in the world as a whole. And Oito loves her daughter and will risk anything for her anyways.
If the Succession War continues to be a deconstruction (which every arc in HxH has been and which it already is so far in Kurapika’s abilities being revealed to be killing him, etc) I’m going to venture a guess that however this ends (and I do expect Oito to make it out alive), it won’t be through abilities or powers or even shrewd strategy, but through connections, through the things Oito identifies as being “what really matters”: friendship, family, love, all those good things HxH likes exploring the limits of, but also the beauty of. Oito is symbolic of the beauty and good in the world that makes it so exciting. The journey matters, but it’s the people you love along the way, the relationships you cultivate, that make it worthwhile, not the power struggles and fights. That’s at the very core, I think, of what makes Hunter x Hunter such a great story.
I discussed this privately with a few friends but I actually love the idea a lot so I’m sharing with everyone. 😀
So far in this very long arc, there were a few occasions the focus drifted away from Ciel & Seb. The first major time was at the very beginning of this arc
with Ed being the reason Lizzie went to the Sphere music hall in the first place and the second major time…
led to very unfortunate circumstances. T_T
So I was saying to my friends that I’d love to get some more chapters not focusing on Ciel and Seb, especially now that they’ve been put in a rather awkward position…
and might need the help of others to clear their names if they’re really arrested. And since Soma is hurt, more Ed-centric chapters could be more likely and I’d personally love that.
First of all, it’s hard to believe that Ed won’t question if real!Ciel truly isn’t involved with the Sphere music hall considering that Lizzie is with him and that she left the house for the Sphere music hall over two months ago.
Secondly, Ed is currently the only one who was also there at Weston when UT explained about his latest BDs to Ciel
so, should he recognize UT (even if we know Ed can’t see anyone else when Lizzie is here), he might be able to suspect that something is up with real!Ciel.
As for a team up with Soma, the reasons I find this idea so cool are because Edward and Soma both are characters who are very close to our!Ciel + at the time of ch143, what they know about the current arc is complementary, meaning that if they were to assemble their information, they would both easily realize that our!Ciel was framed.
To explain: what Soma knows and believes is that…
someone who looks exactly like our!Ciel attacked him and Agni, leading to Agni’s murder. So now he’s pissed at our!Ciel because he doesn’t know about the existence of the twin (since our!Ciel never mentioned anything about it).
Meanwhile, Ed just found out that the twin is back…
and that our!Ciel is believed to be behind the blue sect arc for different reasons.
So should Ed see Soma and find out about this…
If Soma tries to argue that our!Ciel did this even if this doesn’t sound like him, then Ed will at least be able to tell Soma that “wait, he actually has a twin brother who just came back???”, which could make Soma realize that his friend is innocent and Ed that the twin is up to no good (especially if he remembers about Weston previously to finding out about the attack on Soma and Agni).
Add Sieglinde…
who heard this, who can confirm that Ciel and Seb are the ones who brought Soma to her and who researched about the blood samples Seb found in the Sphere music hall + Nina…
who helped Ciel and Seb with getting into the Sphere music hall that one time, they will barely need Violet’s confirmation to understand that “Lord Sirius” is in fact the twin (even though I think Violet’ll confirm it either way, because our!Ciel helped him and his friends).
Violet (and also Lizzie) is more likely to be necessary in order to convince the other people involved in this arc that our!Ciel is not Lord Sirius: like the Double Charles (who may end up accusing Ciel of the Parliamentarians’ murders next), Randall (because Abberline won’t be able to convince him on his own I guess) and maybe even Alexis.
TL;DR Ed investigating some more as Ciel is possibly arrested and meeting with Soma could surely be one way for the entire truth to be revealed + also for Soma to stop believing that his best friend attacked him.
I just hope Ed does realize, one way or another, that there is definitely something not right about the twins and Lizzie.
The other day I was reading something that referenced Mito being about 8 or so years younger than Ging and I thought, “wow, really? But wasn’t Ging like.. 20 when he came back with Gon? That can’t be right.”
Unfortunately, it mcfucking is.
In the canonical timeline, Ging leaves Whale island shortly before he turns 12, and comes back 10 years later with (then 2 year old) Gon. So, Ging was 19 when Gon was born, and 21 when he left him with Mito.
But how old was Mito you ask? How old was Mito when she took over guardianship of her 2 year old nephew?
13. She was 13 years old. She’s YOUNGER than Illumi Zoldyck, just think about that.
BUT IT GETS WORSE. If you read the manga, (and I think they mention it in the 99 not sure tho) it mentions that Mito SUED Ging for custody.
AN 8TH GRADER TOOK HIS 21 YEAR OLD ASS TO COURT AND WON. SHE WON.
When you lose the moral high ground to Hisoka, Ging, you know you have a problem.
Thank you so, so much!!! That means a lot to me. Nora is a character who resonates deeply with me, so I am happy you think I am doing her character justice! I’ll have a new chapter up tomorrow, and it’s a big turning point for the story!